Séamus Egan Project

Credit: Dan Jentzen

Séamus Egan Project

It’s hard to think of an artist in traditional Irish music more influential than Seamus Egan. From his beginnings as a teen prodigy, to his groundbreaking solo work with Shanachie Records, to his founding of Irish-American powerhouse band Solas, to his current work as one of the leading composers and interpreters of the tradition, Egan has inspired multiple generations of musicians and helped define the sound of Irish music today. As a multi-instrumentalist, he’s put his mark on the sound of the Irish flute, tenor banjo, guitar, mandolin, tin whistle, and low whistle, among others.
Growing up under the wing of powerful elder musicians, Egan’s always paid homage to his roots, but he’s thought of these roots less as a heritage and more as a universal language to be shared.
Joining the Seamus Egan Project is:
Owen Marshall.   With the music traditions of Quebec and Nova Scotia just over the border from his home in Vermont and the strong Irish musical scene of Boston to the south, Owen was immersed in the various textures and sounds of the Celtic music from an early age. A guitar/mandolin/banjo player, Owen is in demand at music camps throughout New England and the U.S.
Yann Falquet.  Yann is a very active and creative acoustic guitar player on the Québécois music scene. He has explored many styles of music and completed a Bachelors degree in Jazz. Since then, he has developed a personal guitar style for Québec folk music, inspired by the playing of the accompanists of different cultures (Brittany, Scandinavia, Ireland, North America).
His involvement in the province’s traditional music scene has brought Yann to perform on numerous recordings, and to tour regularly throughout Canada, the U.S., Europe and Australia with his main project Genticorum.